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US Military Accidentally Shoots Down Border Protection Drone With Laser

2 weeks ago
An anonymous reader quotes a report from the Associated Press: The U.S. military used a laser Thursday to shoot down a "seemingly threatening" drone flying near the U.S.-Mexico border. It turned out the drone belonged to Customs and Border Protection, lawmakers said. The case of mistaken identity prompted the Federal Aviation Administration to close additional airspace around Fort Hancock, about 50 miles (80 kilometers) southeast of El Paso. The military is required to formally notify the FAA when it takes any counter-drone action inside U.S. airspace. It was the second time in two weeks that a laser was fired in the area. The last time it was CBP that used the weapon and nothing was hit. That incident occurred near Fort Bliss and prompted the FAA to shut down air traffic at El Paso airport and the surrounding area. This time, the closure was smaller and commercial flights were not affected. The FAA, CBP and the Pentagon confirmed the incident in a joint statement, saying the military "employed counter-unmanned aircraft system authorities to mitigate a seemingly threatening unmanned aerial system operating within military airspace." "At President Trump's direction, the Department of War, FAA, and Customs and Border Patrol are working together in an unprecedented fashion to mitigate drone threats by Mexican cartels and foreign terrorist organizations at the U.S.-Mexico Border," the statement said. The report notes that 27,000 drones were detected within 1,600 feet of the southern border in the last six months of 2024. Illinois Democratic U.S. Sen. Tammy Duckworth, the ranking member on the Senate's Aviation Subcommittee, is calling for an independent investigation to look into the matter. "The Trump administration's incompetence continues to cause chaos in our skies," Duckworth said.

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White House Stalls Release of Approved US Science Budgets

2 weeks ago
An anonymous reader shares a report: Weeks after the U.S. Congress rejected unprecedented cuts to science budgets that the administration of US President Donald Trump had sought for 2026, funding to several agencies that award research grants is still not freely flowing. One reason is that the White House Office of Management and Budget (OMB) has been slow to authorize its release. The US National Institutes of Health (NIH) has so far not received approval to spend any of the research funding allocated in a budget bill signed into law on 3 February. The US National Science Foundation (NSF) was authorized to spend its funding just last week. And NASA has had its full funding authorized for release, but with an unusual restriction that limits spending on ten specific programmes -- many of which the Trump team had tried to cancel last year.

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'The Death of Spotify: Why Streaming is Minutes Away From Being Obsolete'

2 weeks ago
An anonymous reader shares a column: I'm going to take the diplomatic hat off here and say with brutal honesty: basically everybody in the music business hates Spotify except for the people who work there. It's a platform that sucks artists for everything they have, it actively prevents community building, and, despite all of that, the platform still struggles to maintain a healthy profit margin. The streaming business model is fundamentally broken. And eventually, its demise will become more and more obvious to recognize. I'll break down exactly why the DSP era is coming to a grinding halt, why the major labels are quietly terrified, and why the artists who don't pivot now are going to go down with the ship. [...] Jimmy Iovine put it bluntly: "The streaming services have a bad situation, there's no margins, they're not making any money." This model only works for Apple, Amazon, and Google, because they don't need their music platforms to be wildly profitable. Amazon uses music as a loss-leader to keep you paying for Prime. Apple uses it to sell $1,000 iPhones. As for Spotify, or any standalone music streaming company, they're kind of screwed. And guess what -- when the platform's margins are structurally squeezed, guess who gets squeezed first? The artists. [...] What if Jimmy is right? If the DSPs are "minutes away from obsolete," what replaces them? Well, I'm not sure the DSPs are going to disappear overnight, but if you're an artist or a manager trying to sustain yourself in this evolving music economy, the answer is direct ownership. The artists who will survive the next five years are the ones who are quietly shifting their focus away from the "ATM Machine." They are building their own cultural hangars. They are capturing phone numbers on Laylo. They are driving fans to private Discord servers. They are focusing on ARPF (Average Revenue Per Fan) through high-margin merch, vinyl, and hard tickets, rather than begging for fractions of a penny from a playlist placement. We are witnessing the death of the "Mass Audience" and the birth of the "Micro-Community."

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AI Mistakes Are Infuriating Gamers as Developers Seek Savings

2 weeks ago
The $200 billion video game industry is caught between studios eager to cut ballooning development costs through AI and a player base that has grown openly hostile to the technology after a string of visible blunders. As Bloomberg News reports, Arc Raiders, a surprise hit from Stockholm-based Embark Studios that sold 12 million copies in three months, was briefly vilified online for its robotic-sounding auto-generated voices -- even as CEO Patrick Soderlund insists AI was only used for non-essential elements. EA's Battlefield 6 and Activision's Call of Duty: Black Ops 7 both drew gamer anger this winter over thematically mismatched or poorly generated graphics, and Valve's Steam has added labels to flag games made using AI. Some 47% of developers polled by research house Omdia said they expect generative AI to reduce game quality, and PC gamers -- now facing inflated hardware prices from AI-driven demand for graphics chips -- have turned reflexively antagonistic.

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