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Yearslong Fight Over Users' Right To Tweak Smart TV Software Heads To Trial

1 month 3 weeks ago
A long-running lawsuit over Vizio's Linux-based smart TV software is headed to trial in August, with the Software Freedom Conservancy arguing that GPL rules require Vizio to release complete source code owners could use to modify, maintain, or strip ads and tracking from their TVs. Ars Technica reports: The outcome could reverberate across the industry. Because many of today's popular smart TV operating systems are Linux-based, the case may help determine how much control many owners have over their sets. Access to the full code would allow users to make meaningful changes to how their TVs work, including limiting ads or deactivating automatic content recognition. [...] The Software Freedom Conservancy argues it has the right to Vizio OS's source code because it owns several Vizio TVs and because the operating system is based on Ubuntu, a Linux distribution. (SFC employees bought seven Vizio TVs from 2018 to 2021 after getting complaints about Vizio not sharing its TVs' source code, according to the complaint.) In general, the Linux kernel is provided under the terms of GPLv2, as noted by kernel.org, which is run by the Linux Kernel Organization. SFC's lawsuit alleges that Vizio breached GPLv2 and LGPLv2.1 by failing to make available the complete source code for Vizio OS. The case is currently in the Orange County Superior Court of the State of California. The lawsuit targets Vizio specifically, but the impact could extend to other Linux-based smart TV OSes such as LG's webOS, Samsung's Tizen, and Roku's Roku OS. "We expect all companies who distribute Linux and other software using right-to-repair agreements like the GPL in their products would comply with these agreements," Denver Gingerich, the director of compliance at SFC, told Ars. [...] SFC expects a ruling within three to six months of the conclusion of the trial, which is currently scheduled for August 10.

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Regional Winners of Prestigious Literary Prize Suspected of Using Chatbots

1 month 3 weeks ago
The 2026 Commonwealth Short Story Prize is facing backlash after several winning entries were accused of being AI-generated, with one Caribbean winner's story flagged as fully AI-written by a detector that WIRED says it independently confirmed. From the report: Each year, the Commonwealth Foundation, a nongovernmental organization in London, awards its short story prize to one writer in each of five regions: Africa, Asia, Canada and Europe, the Caribbean, and the Pacific. One overall winner is then selected from that short list. Regional winners take home [about $3,350], while the top winner, to be announced next month, claims [about $6,700]. On May 12, the respected UK literary magazine Granta published the top five 2026 entries -- all previously unpublished, per the rules of the contest -- on its website. (It has hosted the winning submissions for the prize since 2012.) Within days, however, one entry aroused suspicion. "The Serpent in the Grove," a story by Jamir Nazir of Trinidad and Tobago, which had taken honors for the Caribbean region, struck a few people as bearing the stylistic tells of AI-generated text. "Well, this is a first: a ChatGPT-generated story won a prestigious literary prize," wrote researcher and entrepreneur Nabeel S. Qureshi, a former visiting scholar of AI at the Mercatus Center at George Mason University, in a post on X on Monday. "'Not X, not Y, but Z' sentences everywhere, the 'hums' trope, and plenty of other obvious markers of AI writing. A major milestone for AI, at any rate..." "They say the grove still hums at noon," Nazir's mysterious and atmospheric tale begins. In his screenshot of the opening paragraphs, Quereshi highlighted the second line as what he considered to be a signature example of AI syntax: "Not the bees' neat industry or the clean rasp of cutlass on vine, but a belly sound -- as if the earth swallows a shout and holds it there." As the literary community undertook a closer read of Nazir's story, many criticized its language and metaphors as nonsensical, wondering how the Commonwealth judges could have seen any merit to them. Others shared screenshots showing that the AI-detection tool Pangram flagged "The Serpent in the Grove" as 100 percent AI-generated, a result that WIRED independently confirmed. (While no AI-detection software is perfect, third-party analysis has consistently determined Pangram to be the most accurate, with a near-zero rate of false positives.) [...] Besides Nazir, two more winning authors have drawn allegations of using AI in their work. Pangram finds that "The Bastion's Shadow," by Maltese writer John Edward DeMicoli, winner for the Canada and Europe region, is fully AI-generated; it scans "Mehendi Nights," by Indian writer Sharon Aruparayil, winner for the Asia region, as partly AI-generated. Neither DeMicoli nor Aruparayil immediately returned requests for comment when reached through their respective social media accounts. The other two short-listed stories, by Holly Ann Miller of New Zealand and Lisa-Anne Julien of South Africa, deliver "fully human-written" results from Pangram. Wired also reports that one of the judges for the prize has been "accused of using AI to craft her descriptive blurb that accompanied the listing of 'The Serpent in the Grove' as a regional winner.'" Pangram labels the text as "AI-assisted."

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